No surprise then that most users will love ScopeLink. You’ll only be able to view the video scopes and graphs, but that’s it. To be honest, viewing a movie clip that sits on your disk doesn’t make much sense. The default clip that always sits in the source list at the top also has a snapshot button for taking stills - that button only appears when you’re feeding ScopeBox with a live feed. It also showed me a preview of the clip and the clip itself with controls for playing and fast forward/reverse. ScopeBox dutifully showed me the waveform and vectorscope it loads by default. I first tried ScopeBox with one of the video clips saved to my media disk. When you launch the app, ScopeBox is an empty black canvas, waiting for you to activate a source. In addition, ScopeBox provides scopes for live sources such as BlackMagic Design and Aja input equipment, and for movie clips stored on your disk(s). It does so via ScopeLink, a clever system that allows ScopeBox to integrate with a slew of supported applications, including SpeedGrade, various versions of After Effects, Prelude and Pomfort Silverstack. ScopeBox displays video scopes, regardless of whether your clip is processed with EditReady - before you transcode them - or Final Cut Pro X, Premiere Pro and other apps.
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